Beckett. Przewodnik

Ackerley C.J., Gontarski S.E., eds (2006), The Faber Companion to Samuel Beckett, Faber & Faber, London.

Admussen Richard (1979), The Samuel Beckett Manuscripts: A Study, G.K. Hall, Boston.

Alvarez Al (1992), Beckett, 2nd ed., Fontana, London.

Ardoin Paul (2015), Beckett’s “Film”, ‘which could only have been played by Buster Keaton’, “Angelaki”, vol. 20, no. 4, s. 5–21, https://doi.org/10.1080/0969725X.2015.1096627

Asmus Walter A. (1977), Practical Aspects of Theatre, Radio and Television: Rehearsal Notes for the German Premiere of Beckett’s “That Time” and “Footfalls” at the Schiller-Theater Werkstatt, Berlin (Directed by Beckett), trans. H. Watanabe, “Journal of Beckett Studies”, no. 2 (Summer), s. 82–95, http://www.jstor.org/stable/44783098 (dostęp: 26.02.2024).

Bair Deirdre (1978), Samuel Beckett: A Biography, Jonathan Cape, London.

Barnard G.C. (1970), Samuel Beckett. A New Approach: A Study of the Novels and Plays, Dodd, Mead and Co., New York.

Bataille Georges (1951), Review of “Molloy”, “Critique”, [w:] Lawrence Graver, Raymond Federman, eds, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979, s. 55–63.

Beckett Samuel (1954), Waiting for Godot, Grove Press, New York.

Beckett Samuel (1963), Kilcool Notebook, Trinity College Library, Dublin, MS-TCD-4664.

Beckett Samuel (1965), Come and Go [maszynopis z odręczną korektą Autora], Reading University Library, Beckett Collection, sygn. 1227/7/16/5.

Beckett Samuel (1969), Breath, [w:] Oh! Calcutta! Entertainment with Music, Grove Press, New York.

Beckett Samuel (1970), Regiebuch [niepublikowany notatnik reżyserski, archiwum Samuela Becketta, University of Reading, Beckett Collection].

Beckett Samuel (1973), Not I [notatki reżyserskie Becketta], Reading University Library, Beckett Collection, sygn. 1227/7/12/11.

Beckett Samuel (1974), That Time [rękopis], Reading University Library, Beckett Collection, sygn. 1477/1.

Beckett Samuel (1977), Gone/Solo. A Piece of Monologue [rękopis], Reading Univeristy Library, Beckett Collection, sygn. MS 2068.

Beckett Samuel (1984), The Collected Shorter Play, Grove Press, New York.

Becket Samuel (1985), Was Wo [kopia niemieckiego przekładu What Where z komentarzami Becketta-reżysera], Reading University Library, Beckett Collection, sygn. 3097/1.

Beckett Samuel (1990), Letters to Barney Rosset, ed. S.E. Gontarski, “The Review of Contemporary Fiction” 1990, vol. 10, no. 3 (Fall), s. 64–65.

Beckett Samuel (1991), Three Novels: Molloy, Malone Dies, The Unnamable, Grove Press, New York.

Beckett Samuel (1992a), The Theatrical Notebooks of Samuel Beckett, vol. II: “Endgame”, ed. S.E. Gontarski, Faber & Faber, London, Grove Press, New York.

Beckett Samuel (1992b), The Theatrical Notebooks of Samuel Beckett, vol. III: Krapp’s Last Tape, ed. James Knowlson, Faber & Faber, London, Crove Press, New York.

Beckett Samuel (1994), The Theatrical Notebooks of Samuel Beckett, vol. I: Waiting for Godot, ed. James Knowlson, Faber & Faber, London, Grove Press, New York.

Beckett Samuel (1999a), The Old Tune. Beckett Short No. 7, Riverrun Press, London.

Beckett Samuel (1999b), The Theatrical Notebooks of Samuel Beckett, vol. IV: The Shorter Plays, ed. S.E. Gontarski, Faber & Faber, London, Grove Press, New York.

Beckett Samuel (2009), The Letters of Samuel Beckett, vol. I: 1929–1940, eds Martha Dow Fehsenfeld, Lois Overbeck, Cambridge University Press, Cambridge.

Beckett Samuel (2011), The Letters of Samuel Beckett, vol. II: 1941–1956, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.

Beckett Samuel (2014), The Letters of Samuel Beckett, vol. III: 1957–1965, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.

Beckett Samuel (2016), The Letters of Samuel Beckett, vol. IV: 1966–1989, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.

Beja Morris, Gontarski S.E., Astier Pierre, eds (1983), Samuel Beckett: Humanistic Perspectives, Ohio State University Press, Columbus.

Billington Michael (2006), “Krapp’s Last Tape”, “The Guardian”, 16 October, https://www.theguardian.com/stage/2006/oct/16/theatre.beckettat100 (dostęp: 18.03.2024).

Blanchot Maurice (1953), Où maintenant? Qui maintenant?, “Nouvelle Revue Française”, October, s. 678–686.

Brantley Ben (2007), When a Universe Reels, a Baryshnikov May Fall, “New York Times”, 19 December, https://www.nytimes.com/2007/12/19/theater/reviews/19beck.html (dostęp: 18.03.2024).

Brater Enoch (1974), The “I” in Beckett’s “Not I”, “Twentieth Century Literature”, vol. XX, no. 3.

Brater Enoch (1987), Beyond Minimalism: Beckett’s Late Style in the Theater, Oxford University Press, New York.

Breuer Rolf, Huber Werner, eds (1996), A Checklist of Beckett Criticism in German, Ferdinand Schöning, Paderborn.

Bryden Mary, Garforth Julian, Mills Peter (1998), Beckett at Reading: Catalogue of the Beckett Manuscript Collection at the University of Reading, Whiteknights Press, Reading, UK.

Bryer J.R., Friedman M.J. (1971), Essai de bibliographie des études en langues française et anglaise consacrées à Samuel Beckett (1931–1966), „Calepins de bibliographie”, nr 2.

Calder John, ed. (1967), Beckett at 60: A Festscrift, Calder & Boyars, London.

Calder John (1976), Editorial and Theater Diary, “Gambit: International Theater Review”, vol. VII.

Calder John, ed. (1986), „As No Other Dare Fail”: For Samuel Beckett on His 80th Birthday by His Friends and Admirers, Calder & Riverrun Press, London.

Coe Richard (1964), Beckett, Oliver & Boyd, Edinburgh.

Cohn Ruby (1962), Samuel Beckett: The Comic Gamut, Rutgers University Press, New Brunswick.

Cohn Ruby, ed. (1967), Casebook on ‘Waiting for Godot’, Grove Press, New York.

Cohn Ruby (1973), Back to Beckett, Princeton University Press, Princeton.

Cohn Ruby (1980), Just Play: Beckett’s Theater, Princeton University Press, Princeton.

Cohn Ruby (2001), A Beckett Canon, University of Michigan Press, Ann Arbor.

Davis R.J (1971), Essai de bibliographie des Oeuvres de Samuel Beckett (1929–1966), „Calepins de bibliographie”, nr 2.

Davis R.J. (1977), Beckett Bibliography after Federman and Fletcher, “Journal of Beckett Studies”, no. 2 (Summer), s. 63–69.

Davis R.J. (1979), Samuel Beckett: Checklist and Index of his Published Works 1967–1976, Published from the Library, University of Stirling.

Deleuze Gilles (1998), Essays Critical and Clinical, trans. D.W. Smith, M.A. Greco, Verso, London–New York.

Driver Tom (1961), Beckett by the Madeleine, „Columbia University Forum”, IV (Summer), s. 21–25.

Duckworth Colin (1966), Introduction, [w:] Samuel Beckett, En attendant Godot, George Harrap, London, s. XVII–CXXXV.

Esslin Martin (1961), The Theatre of the Absurd, Anchor Books, Doubleday and Company, Inc., Garden City, New York.

Federman Raymond, Fletcher John (1970), Samuel Beckett: His Works and His Critics. An Essay in Bibliography, University of California Press, Berkeley–Los Angeles.

Fletcher Beryl S., Fletcher John (1973), A Student’s Guide to the Plays of Samuel Beckett, Faber & Faber, London.

Frost Everett (1991), Fundamental Sounds: Recording Samuel Beckett’s Radio Plays, „Theatre Journal” vol. 43, no. 3, s. 361–376.

Gascoigne Bamber (1964), How Far Can Beckett Go?, “The Observer”, 12 April.

Goldstein Ruth M., ed. (1977), A Discussion Guide for the Play ‘Waiting for Godot’, Grove Press, New York.

Gontarski S.E. (1977), Beckett’s „Happy Days”: A Manuscript Study, Ohio State University Library Publications, Columbus.

Gontarski S.E. (1983), „Ohio Impromptu”: gra przeciw tekstowi, przeł. Elżbieta Jasińska, „Dialog”, nr 3, s. 98–101.

Gontarski S.E. (1985), The Intent of Undoing in Samuel Beckett’s Dramatic Texts, Indiana University Press, Bloomington.

Gontarski S.E., ed. (1986), On Beckett: Essays and Criticism, with an Introduction by S.E. Gontarski, Grove Press, New York.

Gontarski S.E. (1987), “What Where II”: Revision as Re-creation, “Review of Contemporary Fiction”, vol. 7, no. 2, s. 120–123.

Gontarski S.E. (1992), Working Through Beckett, [w:] Steve Wilmer, ed., Beckett in Dublin, Lilliput Press, Dublin, s. 33–52.

Gontarski S.E., ed. (1993), The Beckett Studies Reader, University Press of Florida, Gainesville.

Gontarski S.E. (1997), Staging Himself, or Beckett’s Late Style in the Theater, “Samuel Beckett Today / Aujourd’hui”, vol. 6: Crossroads and Borderlines, L’Oeuvre Carrefour / L’Oeuvre Limite, s. 87–97.

Gontarski S.E., ed. (2014), On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company.

Gontarski S.E. (2015), Samuel Beckett and the ‘Idea’ of Theatre: Performance through Artaud and Deleuze, [w:] Dirk Van Hulle, ed., The New Cambridge Companion to Samuel Beckett, Cambridge University Press, Cambridge, s. 126–142.

Gontarski S.E. (2018), Revisioning Beckett: Samuel Beckett’s Decadent Turn, Bloomsbury Academic, New York.

Gontarski S.E. (2023), Bad Godots: „Vladimir emerges from the barrel” and Other Interventions, Cambridge University Press, Cambridge.

Gontarski Beckett Library – Stanley E. Gontarski Beckett Library, Trinity College, Dublin, https://www.tcd.ie/library/manuscripts/blog/tag/stanley-e-gontarski-beckett-library/

Gussow Mel (1994), Reading Upsets Beckett Estate, “New York Times”, 24 September, s. 11, https://www.nytimes.com/1994/09/24/theater/a-reading-upsets-beckett-s-estate.html

Harmon Maurice, ed. (1998), No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider, Harvard University Press, Cambridge, Mass.

Hassan Ihab (1967), The Literature of Silence: Henry Miller and Samuel Beckett, Knopf, New York.

Hobson Harold (1967), The First Night of ‘Waiting for Godot’, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London, s. 25–28.

Hoy P.C. (1971), Une esquisse de bibliographie des études en d’autres langues (1953–1969), „Calepins de bibliographie”, nr 2.

Juliet Charles (1995), Conversations with Samuel Beckett and Bram van Velde, transl. Janey Tucker, Academic Press, Leiden.

Kenner Hugh (1961), Samuel Beckett: A Critical Study, Grove Press, New York.

Kenner Hugh (1973), A Reader’s Guide to Samuel Beckett, Syracuse University Press.

Kern Edith (1954), Drama Stripped for Inaction: Beckett’s “Godot”, “Yale French Studies”, no. 14, s. 41–47, https://www.jstor.org/stable/2928960 (dostęp: 29.02.2024).

Knowlson James (1996), Damned to Fame: The Life of Samuel Beckett, Simon & Schuster, New York.

Krance Charles (1989), Sam w Polsce / Sam in Poland, “Journal of Beckett Studies”, no. 11–12, s. 131–152.

Krance Charles, ed. (1993), Samuel Beckett’s “Company/Compagnie” and “A Piece of Monologue/Solo”: A Bilingual Variorum Edition, Routledge, London.

Krance Charles, ed. (1996), Samuel Beckett’s “Mal vu mal dit / Ill Seen Ill Said”: A Bilingual, Evolutionary, and Synoptic Variorum Edition, Garland, New York–London.

Lake Carlton, ed. (1984), No Symbols Where None Intended: A Catalogue of Books, Manuscripts, and Other Materials Relating to Samuel Beckett in the Collections of the Humanities Research Center, Harry Ransom Humanities Research Center (University of Texas), Austin.

Lawley Paul (1983), Counterpoint, Absence and the Medium in Beckett’s “Not I”, “Modern Drama”, vol. 26, no. 4, s. 407–414, https://muse.jhu.edu/article/498234/pdf

Locatelli Carla (1993), An Outline of Beckett Criticism in Italy, “Journal od Beckett Studies”, vol. 3, no. 1 (Autumn), s. 39–57.

Lonsdale Michaël (2014), Michaël Lonsdale joue les mots derrière les mots, “La République des livres”, 24 Décembre, https://larepubliquedeslivres.com/entretien-lonsdale/

McMillan Dougald, Fehsenfeld Martha, eds (1988), Beckett in the Theater: The Author as Practical Playwright and Director, Riverrun Press, New York.

Mégevand Martin (2010), Pinget Seen by Beckett, Beckett According to Pinget: The Unpublishable, “Journal of Beckett Studies”, vol. 19, no. 1, s. 3–14, http://www.jstor.org/stable/26469652 (dostęp: 28.02.2024).

Mercier Vivian (1956), The Uneventful Event, „The Irish Times”, 18 February, s. 6.

Mitchell Breon (1982), “Samuel Beckett: checklist and index of his published works 1967-1976” by Robin J. Davis, “Journal of Beckett Studies”, no. 8 (Autumn), s. 152–154.

Murphy P.J., Huber Werner, Breuer Rolf, Schoell Konrad (1994), Critique of Beckett Criticism. A Guide to Research in English, French, and German, Camden House, Columbia.

Nixon Mark (2011), Samuel Beckett’s German Diaries 1936–1937, Bloomsbury Publishing, London.

O’Brien Eoin (1986), The Beckett Country: Samuel Beckett’s Ireland, Black Cat Press, Dublin.

O’Brien Eoin (1993), [list do redakcji], „Times Literary Supplement”, 16 July, s. 17.

Pilling John (1999), Beckett and the ‘Itch to Make’: The Early Poems in English, “Samuel Beckett Today / Aujourd’hui”, no. 8, s. 15–25.

Rabaté Jean-Michel (2016), Excuse My French: Samuel Beckett’s Style of No Style, „CR: The New Centennial Review”, vol. 16, no. 3, s. 133–150, https://doi.org/10.14321/crnewcentrevi.16.3.0133

Rabinovitz Rubin (2014), „Murphy” and the Uses of Repetition, [w:] S.E. Gontarski, ed., On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company, s. 53–72.

Rosset Archive, Columbia University, https://findingaids.library.columbia.edu/ead/nnc-rb/ldpd_7953908/dsc/6

Rosset Barney (2017), Dear Mr. Beckett: The Samuel Beckett File, ed. Lois Oppenheim, curated by Astrid Myers, Opus, Tuxedo Park, NY .

Schneider Alan (1986), Entrances. An American Director’s Journey, Viking Press, New York.

Seaver Richard W. (2014), Beckett and “Merlin”, [w:] S.E. Gontarski, ed., On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company.

Shenker Israel (1956), Moody Man of Letters, “New York Times”, 5 May, [w:] Lawrence Graver, Raymond Federman, eds, Samuel Beckett. The Critical Heritage, Routledge and Kegan Paul, London 1979, s. 146–149.

Tanner James T.F., Don Vann Jerry (1969), Samuel Beckett. A Checklist of Criticism, Kent State University Press, Kent.

Van Hulle Dirk, ed. (2015), The New Cambridge Companion to Samuel Beckett, Cambridge University Press, Cambridge.

Van Hulle Dirk (2017), Samuel Beckett, Molloy, Malone Dies and The Unnamable (1951–1958), [w:] Christoph Reinfandt, ed., Handbook of the English Novel of the Twentieth and Twenty-First Centuries, De Gruyter, Berlin–Boston, s. 252–267, https://doi.org/10.1515/9783110369489-013

Van Hulle Dirk, Verhulst Pim (2018), The Making of Samuel Beckett’s “Waiting for Godot” / “En attendant Godot”, Bloomsbury Academic.

Whitelaw Billie (1978), Practical Aspects of Theatre, Radio and Television. Extracts from an unscripted interview with Billie Whitelaw by James Knowlson, “Journal of Beckett Studies”, no. 3, s. 85–90, http://www.jstor.org/stable/44783121 (dostęp: 27.02.2024).

Worth Katharine (1998), Words for Music Perhaps, [w:] Mary Bryden, ed., Samuel Beckett and Music, Clarendon Press, Oxford, s. 9–20.

Zilliacus Claus (1976), Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television, Åbo Akadami, Åbo.

Zilliacus Claus (1993), “Act Without Words 1” as Cartoon and Codicil, “Samuel Beckett Today / Aujourd’hui”, vol. 2, s. 295–304, http://www.jstor.org/stable/25781178 (dostęp: 25.01.2024).

Ackerley C.J., Demented Particulars. The Annotated “Murphy”, Journal of Beckett Studies Books, Tallahassee 1998.

Ackerley C.J., Gontarski S.E., eds, The Grove Companion to Samuel Beckett: A Reader’s Guide to His Life, Works and Thought, Grove Press, New York 2004.

Ackerley C.J., Gontarski S.E., Samuel Beckett and the Bible: A Guide, “Journal of Beckett Studies” 1999, vol. 9, no. 1 (Autumn), s. 53–125.

Adorno Theodor, Trying to Understand „Endgame”, trans. Samuel Weber, [w:] Gale Bell-Chevigny, ed., Twentieth Century Interpretations of Endgame, Prentice Hall, Englewood Cliffs 1969, s. 82–114.

Atik Anne, How It Was: A Memoir of Samuel Beckett, Faber & Faber, London 2001.

Barale Michèle Aina, Rabinovitz Rubin, A KWIC Concordance to Samuel Beckett’s Murphy, 2 vols, Garland, New York–London 1990.

Barale Michèle Aina, Rabinovitz Rubin, A KWIC Concordance to Samuel Beckett’s Trilogy: Molloy, Malone Dies, and The Unnamable, 2 vols, Garland, New York–London 1988.

Ben-Zvi Linda, Fritz Mauthner for Company, “Journal of Beckett Studies” 1984, no. 9, s. 65–88.

Ben-Zvi Linda, Samuel Beckett, Twayne, Boston 1986.

Ben-Zvi Linda, Samuel Beckett, Fritz Mauthner, and the Limits of Language, “PMLA” 1980, vol. 95, no. 2 (March), s. 183–200.

Blanchot Maurice, Review of “The Unnamable” [1953], [w:] Lawrence Graver, Raymond Federman, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979, s. 116–121.

Bowles Patrick, How Samuel Beckett Sees the Universe, “The Listener” 1958, no. 59 (19 June), s. 1011–1012.

Bowles Patrick, How to Fail: Notes on Talks with Samuel Beckett, “Poetry Nation Review” 1994, vol. XX, no. 4 (March–April), s. 24–38.

Bryden Mary, Beckett and the Idea of God, Macmillan, Basingstoke 1998.

Bryden Mary, ed., Samuel Beckett and Music, Clarendon Press, Oxford 1998.

Bryden Mary, Women in Samuel Beckett’s Prose and Drama: Her Own Other, Macmillan, Basingstoke–London 1993.

Butler Lance St John, Samuel Beckett and the Meaning of Being: A Study in Ontological Parable, St. Martin’s Press, New York 1984.

Butler Lance St John, Davis Robin, eds, Rethinking Beckett: A Collection of Critical Essays, Macmillan, Basingstoke 1990.

Calder John, ed., A Samuel Beckett Reader, Calder & Boyars, London 1967.

Caselli Daniela, Beckett’s Intertextual Modalities: The Case of Leopardi, “Journal of Beckett Studies” 1996, vol.6, no. 1 (Autumn), s. 1–24.

Caselli Daniela, Looking it up in My Big Dante: A Note on ‘Sedendo et Quiesc[i]endo’, “Journal of Beckett Studies” 1997, vol. 6, no. 2 (Spring), s. 85–93.

Coe Richard N., Beckett’s English, [w:] Morris Beja, S.E. Gontarski, Pierre Astier, eds, Samuel Beckett: Humanistic Perspectives, Ohio State University Press, Colombus 1983, s. 36–57.

Coe Richard N., Samuel Beckett, Grove Press, New York 1967.

Cohn Ruby, Mabou Mines Translations of Beckett, [w:] Alan Warren Friedman, Charles Rossman, Dina Sherzer, eds, Beckett Translating / Translating Beckett, Pennsylvania State University Press, University Park 1987.

Cohn Ruby, Philosophical Fragments in Works of Samuel Beckett, “Criticism” 1964, vol. 6, no. 1 (Winter), s. 33–43; przedruk w: Martin Esslin, ed., Samuel Beckett: A Collection of Critical Essays, Prentice Hall, Englewood Cliffs 1965, s. 169–177.

Cohn Ruby, Samuel Beckett Self-translator, “PMLA” 1961, vol. LXXVI (December), s. 613–621.

Cohn Ruby, The ‘F------’ Story, “Samuel Beckett Today / Aujourd’hui” 1988, vol. 7, s. 41–45.

Connor Steven, Samuel Beckett: Repetition, Theory, and Text, Basil Blackwell, Oxford 1988.

Cronin Anthony, Samuel Beckett: The Last Modernist, HarperCollins, London 1997.

Dobbin Rachel [Burrows], Interview with Rachel Burrows, Dublin, Bloomsday, 1982, interviewers: S.E. Gontarski, Martha Fehsenfeld, Dougald McMillan, “Journal of Beckett Studies” 1989, vol. 11–12, s. 6–15.

Doherty Francis, Mahaffy’s Whoroscope, “Journal of Beckett Studies” 1992, vol. 2, no. 1 (Autumn), s. 27–46.

Doherty Francis, Samuel Beckett, Hutchinson, London 1971.

Ellis Rueben J., ‘Matrix of Surds’: Heisenburg’s Algebra in Beckett’s “Murphy”, “Papers on Language and Literature” 1989, Winter, s. 120–123; przedruk w: Lance St. John Butler, ed., Critical Essays on Samuel Beckett, Scolar Press, Aldershot 1993, s. 362–365.

Esslin Martin, Dionysos’ Dianoetic Laughter, [w:] John Calder, ed., “As No Other Dare Fail”: For Samuel Beckett on His 80th Birthday by His Friends and Admirers, John Calder & Riverrun Press, London 1986, s. 15–23.

Esslin Martin, Samuel Beckett, [w:] John Cruikshank, ed., The Novelist as Philosopher: Studies in French Fiction 1935–1960, Oxford University Press, London 1962, s. 128–146.

Esslin Martin, Samuel Beckett’s Poems, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 55–60.

Federman Raymond, Journey to Chaos: Samuel Beckett’s Early Fiction, University of California Press, Berkeley–Los Angeles 1965.

Fletcher John, Modernism and Samuel Beckett, [w:] Janet Gorton, ed., Facets of European Modernism: Essays in Honor of James McFarlane (presented to him on his 65th birthday, 12 December 1985), University of East Anglia, Norwich 1985, s. 199–217.

Fletcher John, The Novels of Samuel Beckett, Chatto & Windus, London 1964.

Friedman Alan Warren, ed., Beckett in Black and Red: The Translations for Nancy Cunard’s Negro (1934), University Press of Kentucky. Lexington 2000.

Gontarski S.E., The Anatomy of Beckett’s “Eh Joe”, “Modern Drama” 1983, vol. 26, no. 4, s. 425–434, https://muse.jhu.edu/article/498236/pdf

Gontarski S.E., ed., The Beckett Critical Reader: Archives, Theories, and Translation, with an Introduction by S.E. Gontarski, Edinburgh University Press, Edinburgh 2012.

Gontarski S.E., Beckett Matters: Essays on Samuel Beckett’s Late Modernism, Edinburgh University Press, Edinburgh 2016.

Gontarski S.E., A Companion to Samuel Beckett, with an Introduction by S.E. Gontarski, Wiley-Blackwell, Oxford 2010.

Gontarski S.E., ed., The Edinburgh Companion to Samuel Beckett and the Arts, with an Introduction by S.E. Gontarski, Edinburgh University Press, Edinburgh 2014.

Gontarski S.E., Editing Beckett, “Twentieth Century Literature” 1995, vol. 41, no. 2 (Summer), s. 190–207.

Gontarski S.E., Revising Himself: Performance as Text in Samuel Beckett’s The­ater, “Journal of Modern Literature” 1998, vol. 22, no. 1 (Fall), s. 131–145.

Graver Lawrence, Federman Raymond, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979.

Harrington John P., The Irish Beckett, Syracuse University Press, Syracuse 1991.

Harrison Robert, Samuel Beckett’s Murphy: A Critical Excursion, University of Georgia Press, Athens 1968.

Harvey Lawrence, Samuel Beckett, Poet and Critic, Princeton University Press, Princeton 1970.

Hesla David H., The Shape of Chaos: An Interpretation of the Art of Samuel Beckett, University of Minnesota Press, Minneapolis 1971.

Hill Leslie, Beckett’s Fiction: In Different Words, Cambridge University Press, Cambridge 1990.

Hobson Harold, Samuel Beckett, Dramatist of the Year, [w:] International Theatre Annual. No. 1, Citadel Press, New York 1956, s. 153–155.

Janvier Ludovic, Pour Samuel Beckett, Les Éditions de Minuit, Paris 1966.

Jones Anthony, The French “Murphy”: from ‘Rare Bird’ to ‘Cancre’, “Journal of Beckett Studies” 1980, no. 6 (Autumn), s. 37–50.

Kennedy Sighle, Murphy’s Bed: A Study of Real Sources and Sur-Real Associations in Samuel Beckett’s First Novel, Bucknell University Press, Lewisburg 1971.

Kern Edith, Existential Thought and Fictional Technique: Kierkegaard, Sartre, Beckett, Yale University Press, New Haven 1970.

Knowlson James, ed., Happy Days: Samuel Beckett’s Production Notebooks, Faber & Faber, Grove Press, London–New York 1985.

Knowlson James, Good Heavens, “Gambit. International Theatre Review” 1976, vol. 7, no. 28, s. 101–108.

Knowlson James, “Krapp’s Last Tape”, Beckett regista allo Schiller-Teatro, [w:]S.E. Gontarski, Annamaria Cascetta, eds, Beckett in scena: Interpretazione memorabili nel mondo (Drammaturgia 9), Salerno Editrice, Roma 2022.

Knowlson James, Lightness and Darkness in the Theatre of Samuel Beckett, Turret Books, London 1972.

Knowlson James, My Texts are in a Terrible Mess, [w:] Bruce Stewart, ed., Beckett and Beyond, Colin Smythe, Gerrards Cross 1999, s. 176–186.

Knowlson James, Pilling John, Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett, Grove Press, New York 1980.

Lawley Paul, “Embers”: An Interpretation, “Journal of Beckett Studies” 1980, no. 6 (Autumn), s. 9–36.

Leventhal A.J., The Thirties, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 7–13.

Levy Alan, The Long Wait for Godot, “Theatre Arts” 1956, vol. XL, no. 8 (August), s. 33–35, 96.

Libera Antoni, Pyda Janusz, Dialogues on Beckett: Whatever Happened to God?, Anthem Press, London 2019.

Lindon Jérôme, First Meeting with Samuel Beckett, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 17–19.

Locatelli Carla, Beckett’s ‘Obligation to Express’: from a Mythology of Demystification to the Utterance of Better Failures, [w:] Bruce Stewart, ed., Beckett and Beyond, Colin Smythe, Gerrards Cross 1999, s. 193–204.

Locatelli Carla, Beckett’s “Stirings Still”, “American Poetry Review” 1999, vol. 28, no. 5 (September–October), s. 39–44.

Locatelli Carla, Unwording the World: Samuel Beckett’s Prose Works after the Nobel Prize, University of Pennsylvania Press, Philadelphia 1990.

McCarthy Patrick A., ed., Critical Essays on Samuel Beckett, G.K. Hall, Boston 1986.

McCormack W.J., Samuel Beckett and the “Negro Anthology”, “Hermathena. A Trinity College Review” 1992, s. 73–92.

McMillan Dougald, “Echo’s Bones”: Starting Points for Beckett, [w:] Eduard Morot-Sir et al., eds, Samuel Beckett, University of North Carolina Press, Chapel Hill 1976.

McQueeny Terence, Beckett as a Critic of Joyce and Proust, PhD Diss., University of North Carolina, 1977.

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Mays J.C.C., How is MacGreevy a Modernist?, [w:] Patricia Coughlan, Alex Davis, eds, Modernism and Ireland: The Poetry of the 1930s, Cork University Press, Cork 1995, s. 125–126.

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