Reportaż artystyczny, słuchowisko eksperymentalne i eksperyment radiowy analizowane metodą krytyczną Edmunda Feldmana

Natalia Kowalska-Elkader

doi:10.18778/8220-429-2

Feature, experimental radio drama and radio experiment analyzed with Edmund Feldman's critical method

Natalia Kowalska-Elkader

https://orcid.org/0000-0002-9726-8227 (unauthenticated)

Publication:

Methods of communication and media researches. Theoretical and analytical perspective

Series: Communication and Media

Pages: 168-176

DOI: https://doi.org/10.18778/8220-429-2.09

Keywords: television report, lingustic genology, radio drama, comminicative grammar, media, communication studies

Published: 9 June 2021

Categories: Polish philology, Open Access

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The chapter analyzes radio works using Feldman's critical method in adaptation to the ground of audio works. In order to fully reflect its assumptions, as well as the variety of artistic radio forms, three programs of different genres are analyzed: the experimental radio drama Shell Shock by Tomasz Plata, the artistic radio documentary There is Something Behind Every Door by Joanna Dąbrowska-Zadrowska and Witold Zadrowski and the radio experiment 86400 Seconds Time Zones by Chantal Dumas .

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite

Kowalska-Elkader, Natalia. 2021. “Feature, Experimental Radio Drama and Radio Experiment Analyzed With Edmund Feldman’s Critical Method”. In Methods of Communication and Media Researches. Theoretical and Analytical Perspective, edited by Anna Barańska-Szmitko, 168-76. Communication and Media. Poland: Lodz University Press. https://doi.org/10.18778/8220-429-2.09.