A Philosophical Debate on the Screen – Bishop Berkeley’s Esse Est Percipi and Samuel Beckett’s Film

Jadwiga Uchman

doi:10.18778/8220-191-8

A Philosophical Debate on the Screen – Bishop Berkeley’s Esse Est Percipi and Samuel Beckett’s Film

Jadwiga Uchman

Państwowa Wyższa Szkoła Zawodowa w Płocku

Publication:

Moving between Modes: Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska

Pages: 279-294

DOI: https://doi.org/10.18778/8220-191-8.19

Keywords: Non-Verbal Communication, Film Adaptations, Multimodal Texts, Intersemiotic Translation, Chmura, Intersemiosis, Media Transformation, performance

Published: 30 December 2020

Categories: Foreign language studies, Open Access

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Jadwiga Uchman, Państwowa Wyższa Szkoła Zawodowa w Płocku

Jadwiga Uchman, Professor Emerita, former Head of the Department of Studies in Drama and Pre-1800 English Literature, at the University of Łódź. Professor Uchman’s field of study is modern English drama, especially poetic drama, theatre of the absurd, T. S. Eliot, Samuel Beckett, Harold Pinter and Tom Stoppard. She is the author of The Problem of Time in The Plays of Samuel Beckett (Lodz University Press, 1987), Reality, Illusion, Theatricality: A Study of Tom Stoppard (Lodz University Press, 1998) and Samuel Beckett, Harold Pinter, Tom Stoppard: Playwrights and Directors (Lodz University Press, 2012).

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How to Cite

Uchman, Jadwiga. 2020. “A Philosophical Debate on the Screen – Bishop Berkeley’s Esse Est Percipi and Samuel Beckett’s Film”. In Moving Between Modes: Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, edited by Mikołaj Deckert, Monika Kocot, and Aleksandra Majdzińska-Koczorowicz, 279-94. Poland: Lodz University Press. https://doi.org/10.18778/8220-191-8.19.