Emaus cum figuris 3: Grotowski – Rembrandt – Caravaggio

Dariusz Kosiński

doi:10.18778/8331-744-1

Emaus cum figuris 3: Grotowski – Rembrandt – Caravaggio

Dariusz Kosiński

Jagiellonian University

https://orcid.org/0000-0001-8502-8827 (unauthenticated)

Publication:

Relacyjność w kulturze i sztuce: Księga jubileuszowa Profesor Małgorzaty Leyko

Pages: 41-58

DOI: https://doi.org/10.18778/8331-744-1.03

Published: 30 June 2025

Categories: Polish philology, Open Access

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The article proposes a comparison between some famous iconographical repre-sentations of the Supper in Emaus (scene taken from the Gospel according to St. Luca) and the aesthetics of Jerzy Grotowski’s poor theatre, especially of his last theatre production, Apocalypsis cum figuris (1969). An investigation to discover some correspondences between the two is developed to suggest a deeper connec-tions between the liturgy established in Emaus and dramaturgical model of Gro-towski’s theatre.

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite

Kosiński, D. (2025). Emaus cum figuris 3: Grotowski – Rembrandt – Caravaggio. In M. Budzowska, J. Michalik-Tomala, K. Prykowska-Michalak, & J. Królikowska (Eds.), Relacyjność w kulturze i sztuce: Księga jubileuszowa Profesor Małgorzaty Leyko (pp. 41-58). Lodz University Press. https://doi.org/10.18778/8331-744-1.03

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Emaus cum figuris 3: Grotowski – Rembrandt – Caravaggio

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