Relacyjność w kulturze i sztuce

Księga jubileuszowa Profesor Małgorzaty Leyko

okladka
Małgorzata Budzowska (ed.)
Uniwersytet Łódzki, Wydział Filologiczny, Katedra Dramatu i Teatru
https://orcid.org/0000-0002-1953-2088 (unauthenticated)
Justyna Michalik-Tomala (ed.)
Uniwersytet Łódzki, Wydział Filologiczny, Katedra Dramatu i Teatru
https://orcid.org/0000-0003-4865-0566 (unauthenticated)
Karolina Prykowska-Michalak (ed.)
Uniwersytet Łódzki, Wydział Filologiczny, Katedra Dramatu i Teatru
https://orcid.org/0000-0003-1560-1645 (unauthenticated)
Joanna Królikowska (ed.)
Uniwersytet Łódzki, Wydział Filologiczny, Katedra Dramatu i Teatru
https://orcid.org/0000-0003-3375-264X (unauthenticated)
ISBN (e-book)
ISBN-13 (15) 978-83-8331-744-1
ISBN
ISBN-13 (15) 978-83-8331-742-7
DOI: https://doi.org/10.18778/8331-744-1
Published: 30 June 2025
Categories: Polish philology, Open Access

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Od redakcji
Małgorzata Budzowska, Justyna Michalik-Tomala, Karolina Prykowska-Michalak, Joanna Królikowska
DOI: https://doi.org/10.18778/8331-744-1.01
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Bauhaus syncopated – jazz and dance movement in the work of Piet Mondrian
Karol Jóźwiak
DOI: https://doi.org/10.18778/8331-744-1.02
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Emaus cum figuris 3: Grotowski – Rembrandt – Caravaggio
Dariusz Kosiński
DOI: https://doi.org/10.18778/8331-744-1.03
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Between Seeing and Touching: The Tatra Trajectories of Miroslaw Koprowski
Katarzyna Wielechowska
DOI: https://doi.org/10.18778/8331-744-1.04
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Towards relational dance history
Wojciech Klimczyk
DOI: https://doi.org/10.18778/8331-744-1.05
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Theater and dance – coexistence and emancipation
Joanna Szymajda
DOI: https://doi.org/10.18778/8331-744-1.06
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‘To persist in dialogue with doubt and the unknown...’ A new dimension of dance theatre based on the work of Crystal Pite and Kidd Pivot
Anna Banach
DOI: https://doi.org/10.18778/8331-744-1.07
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Theatre of the new political. Performance of law by Michał Zadara
Małgorzata Budzowska
DOI: https://doi.org/10.18778/8331-744-1.08
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Female Gastarbeiters, Bastards and Goddesses. Polish Motifs in Current German Theatre Texts
Artur Pełka
DOI: https://doi.org/10.18778/8331-744-1.09
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The ideologization of G.E. Lessing’s work in the period of the Polish People’s Republic on the example of theatre programs for the stage productions Minna von Barnhelm and Emilia Galotti
Marek Podlasiak
DOI: https://doi.org/10.18778/8331-744-1.10
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Student and Master. On the relationship between Ryszard Ordynski and Max Reinhardt
Karolina Prykowska-Michalak
DOI: https://doi.org/10.18778/8331-744-1.11
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Juliusz Berger – actor of two stages
Maria Napiontkowa
DOI: https://doi.org/10.18778/8331-744-1.12
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The researcher has questions, or the last role of Ida Kamińska
Joanna Krakowska
DOI: https://doi.org/10.18778/8331-744-1.13
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Theatre and modernity: oasis of deceleration
Daria Skjoldager-Nielsen
DOI: https://doi.org/10.18778/8331-744-1.14
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Węgajty Theatre: creating a place
Joanna Królikowska
DOI: https://doi.org/10.18778/8331-744-1.15
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Warsaw aerostatic spectacles in the 18th and 19th centuries. Selected episodes
Krzysztof Kurek
DOI: https://doi.org/10.18778/8331-744-1.16
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Modern happiness. Venice in Vienna and transnational reproductions of pleasure
Monika Wąsik-Linder
DOI: https://doi.org/10.18778/8331-744-1.17
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Ahland’s mask. A story without footnotes
Wojciech Dudzik
DOI: https://doi.org/10.18778/8331-744-1.18
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Let’s enjoy the farce
Dobrochna Ratajczakowa
DOI: https://doi.org/10.18778/8331-744-1.19
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The Posthumous Life of Dr. Mabuse
Tomasz Kłys
DOI: https://doi.org/10.18778/8331-744-1.20
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Filming the classics in the separated Germany: Brechtian adaptations for the cinema
Andrzej Gwóźdź
DOI: https://doi.org/10.18778/8331-744-1.21
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Copyright (c) 2025 © Copyright by Authors, Łódź 2025; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2025

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How to Cite

Budzowska, M., Michalik-Tomala, J., Prykowska-Michalak, K., & Królikowska, J. (Eds.). (2025). Relacyjność w kulturze i sztuce: Księga jubileuszowa Profesor Małgorzaty Leyko. Lodz University Press. https://doi.org/10.18778/8331-744-1