Wokół dramatu Eduarda De Filippo Napoli Milionaria!

Marta Sterna

doi:10.18778/8088-621-6

Revolving Around Napoli Milionaria! – The Play by Eduardo De Filippo

Marta Sterna

University of Łódź , Wydział Filologiczny, Instytut Romanistyki

Publication:

Metateksty i parateksty teatru i dramatu: Od antyku do współczesności

Pages: 145-155

DOI: https://doi.org/10.18778/8088-621-6.12

Keywords: dramat grecki, komedia staroattycka, scholia, Horacy, dramat jezuicki, Gombrowicz Witold, didaskalia, Beckett Samuel, dramat polski

Published: 30 December 2017

Categories: Polish philology, Foreign language studies, Linguistics, Open Access

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The subject of the present paper is to discuss selected, available paratexts and metatexts referring to the play by Neapolitan playwright Eduardo De Filippo, entitled Napoli Milionaria! In order to make this analysis more workable, the author of the play as well as its main problem are discussed in the first place, prior to analyzing particular paratexts and metatexts. The research material embraces: the title of the play, footnotes and critical remarks by Z. Tobiasz, entitled Uwagi inscenizacyjne as well as reviews of the play performed on the basis of this comedy in Poland (only the parts which refer directly to its textual layer).

Marta Sterna, University of Łódź; Wydział Filologiczny, Instytut Romanistyki

Marta Sterna – she graduated with a Master’s degree in Classical Philology (MA thesis: The antic roots of Pulcinella) and in Italian Philology (MA thesis: Maternity and sexuality in “The Art of Joy”. Two lines of Modesta formation process, a free woman) from University of Łódź. She is currently a PhD student of Language, Literature and Culture at the Faculty of Philology at the University of Łódź. Areas of her research interest are Neapolitan theatre of 20th century, theatre of Ancient Greece and Italian women writers (mainly Goliarda Sapienza).

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How to Cite

Sterna, M. (2017). Revolving Around Napoli Milionaria! – The Play by Eduardo De Filippo. In J. Czerwińska & M. Budzowska (Eds.), Metateksty i parateksty teatru i dramatu: Od antyku do współczesności (pp. 145-155). Lodz University Press. https://doi.org/10.18778/8088-621-6.12