Wielość kontrastów w noweli „La Parure” Guy de Maupassanta

Emilia Antkiewicz

doi:10.18778/8331-126-5

The Multiplicity of Contrasts in Guy de Maupassant’s Short Story “La Parure”

Emilia Antkiewicz

Université Jagellonne

https://orcid.org/0000-0001-6529-8029 (unauthenticated)

Publication:

Contrasts in humanities: literature, language, culture

Pages: 185-198

DOI: https://doi.org/10.18778/8331-126-5.15

Keywords: literature, literary studies, language, linguistics, contrast

Published: 6 April 2023

Categories: Foreign language studies, Open Access

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The article is based on the notion of contrast and its role in creating a detailed and nuanced narration with psychologically complex heroes. Contrasts in question include those between poverty and richness, dreams and reality and being and pretending to be. The reflexion is enriched with a theatrical twist by questions concerning the role (or even hypothetical presence) of hybris in the process of creating an intricate composition and the possibility of a tragedy-like reading and interpretation of the short story.

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite

Antkiewicz, Emilia. 2023. “The Multiplicity of Contrasts in Guy De Maupassant’s Short Story ‘La Parure’”. In Contrasts in Humanities: Literature, Language, Culture, edited by Eliza Sasin and Anita Staroń, 185-98. Poland: Lodz University Press. https://doi.org/10.18778/8331-126-5.15.