Teatr niemiecki w pismach i praktyce teatralnej Łesia Kurbasa. Przykład Edypa Króla

Małgorzata Leyko

doi:10.18778/8220-905-1

German Theatre in the Writings and Theatrical Practice of Les Kurbas. An Example of King Oedipus

Małgorzata Leyko

Uniwersytet Łódzki, Wydział Filologiczny, Instytut Kultury Współczesnej, Katedra Dramatu i Teatru

https://orcid.org/0000-0002-9319-1322 (unauthenticated)

Publication:

W kręgu zagadnień języka, literatury i kultury: Księga jubileuszowa dedykowana Profesorowi Jarosławowi Wierzbińskiemu

Pages: 129-137

DOI: https://doi.org/10.18778/8220-905-1.10

Keywords: literatura polska, historia języka, historia literatury, lingwistyka, semantyka

Published: September 16, 2022

Categories: Foreign language studies, Open Access

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The article attempts to trace the influence of German drama and theatre on the theatrical thought and practice of the Ukrainian director Les Kurbas. His writings provide much evidence that he was very well versed in contemporary German drama and theatre. Using this knowledge, however, he wanted to transform it into his own stage solutions. Kurbas’s artistic independence was shown using the comparative method. The performance of King Oedipus directed by Max Reinhardt and Kurbas is compared. The basic materials come from the extensive edition of Les Kurbas’s theatrical writings in Polish.

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How to Cite

Leyko, Małgorzata. 2022. “German Theatre in the Writings and Theatrical Practice of Les Kurbas. An Example of King Oedipus”. In W kręgu Zagadnień języka, Literatury I Kultury: Księga Jubileuszowa Dedykowana Profesorowi Jarosławowi Wierzbińskiemu, edited by Krystyna Ratajczyk and Agata Piasecka, 129-37. Poland: Lodz University Press. https://doi.org/10.18778/8220-905-1.10.