Barbapoux de Charles Malato, ou comment traduire le théâtre de contestation socjale

Joanna Ciesielka; Tomasz Kaczmarek

doi:10.18778/8142-760-9

Barbapoux by Charles Malato: several remarks on the translation of theathre of the social protest

Joanna Ciesielka

Uniwersytet Łódzki, Wydział Filologiczny, Instytut Romanistyki, Zakład Italianistyki

Tomasz Kaczmarek

Uniwersytet Łódzki, Wydział Filologiczny, Instytut Romanistyki

Publication:

Translatoryka i Translacje. Przekład w XXI wieku. Wyzwania – możliwości – trendy

Pages: 109-119

DOI: https://doi.org/10.18778/8142-760-9.11

Keywords: translacja, translatoryka, tłumacz, tłumaczenia sądowe

Published: 25 June 2020

Categories: Polish philology, Open Access

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The text Barbapoux written in 1900 by Charles Malato is an example of the protest theatre movement. The author of this dramma refers to several issues and problems of the epoche such as Dreyfus case in order to criticise the unjust social order and its representatives such as the army, the Catholic Church, the judiciary and the press. The text is full of rod games and numerous allusions to the current events of the time.

The article highlights the examples of solutions applied in translation of the dramma into Polish. The focus is pointed on the translation of proper names (antroponyms and chrematonyms) as well as of selected idioms.

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How to Cite

Ciesielka, Joanna, and Tomasz Kaczmarek. 2020. “Barbapoux by Charles Malato: Several Remarks on the Translation of Theathre of the Social Protest”. In Translatoryka I Translacje. Przekład W XXI Wieku. Wyzwania – możliwości – Trendy, edited by Łukasz Jan Berezowski, 109-19. Poland: Lodz University Press. https://doi.org/10.18778/8142-760-9.11.