A Samuel Beckett Handbook

Ackerley C.J., Gontarski S.E., eds (2006), The Faber Companion to Samuel Beckett, Faber & Faber, London.
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Admussen Richard (1979), The Samuel Beckett Manuscripts: A Study, G.K. Hall, Boston.
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Alvarez Al (1992), Beckett, 2nd ed., Fontana, London.
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Ardoin Paul (2015), Beckett’s “Film”, ‘which could only have been played by Buster Keaton’, “Angelaki”, vol. 20, no. 4, s. 5–21, https://doi.org/10.1080/0969725X.2015.1096627
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Asmus Walter A. (1977), Practical Aspects of Theatre, Radio and Television: Rehearsal Notes for the German Premiere of Beckett’s “That Time” and “Footfalls” at the Schiller-Theater Werkstatt, Berlin (Directed by Beckett), trans. H. Watanabe, “Journal of Beckett Studies”, no. 2 (Summer), s. 82–95, http://www.jstor.org/stable/44783098 (dostęp: 26.02.2024).
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Bair Deirdre (1978), Samuel Beckett: A Biography, Jonathan Cape, London.
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Barnard G.C. (1970), Samuel Beckett. A New Approach: A Study of the Novels and Plays, Dodd, Mead and Co., New York.
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Bataille Georges (1951), Review of “Molloy”, “Critique”, [w:] Lawrence Graver, Raymond Federman, eds, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979, s. 55–63.
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Beckett Samuel (1954), Waiting for Godot, Grove Press, New York.
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Beckett Samuel (1963), Kilcool Notebook, Trinity College Library, Dublin, MS-TCD-4664.
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Beckett Samuel (1965), Come and Go [maszynopis z odręczną korektą Autora], Reading University Library, Beckett Collection, sygn. 1227/7/16/5.
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Beckett Samuel (1969), Breath, [w:] Oh! Calcutta! Entertainment with Music, Grove Press, New York.
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Beckett Samuel (1970), Regiebuch [niepublikowany notatnik reżyserski, archiwum Samuela Becketta, University of Reading, Beckett Collection].
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Beckett Samuel (1973), Not I [notatki reżyserskie Becketta], Reading University Library, Beckett Collection, sygn. 1227/7/12/11.
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Beckett Samuel (1974), That Time [rękopis], Reading University Library, Beckett Collection, sygn. 1477/1.
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Beckett Samuel (1977), Gone/Solo. A Piece of Monologue [rękopis], Reading Univeristy Library, Beckett Collection, sygn. MS 2068.
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Beckett Samuel (1984), The Collected Shorter Play, Grove Press, New York.
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Becket Samuel (1985), Was Wo [kopia niemieckiego przekładu What Where z komentarzami Becketta-reżysera], Reading University Library, Beckett Collection, sygn. 3097/1.
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Beckett Samuel (1990), Letters to Barney Rosset, ed. S.E. Gontarski, “The Review of Contemporary Fiction” 1990, vol. 10, no. 3 (Fall), s. 64–65.
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Beckett Samuel (1991), Three Novels: Molloy, Malone Dies, The Unnamable, Grove Press, New York.
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Beckett Samuel (1992a), The Theatrical Notebooks of Samuel Beckett, vol. II: “Endgame”, ed. S.E. Gontarski, Faber & Faber, London, Grove Press, New York.
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Beckett Samuel (1992b), The Theatrical Notebooks of Samuel Beckett, vol. III: Krapp’s Last Tape, ed. James Knowlson, Faber & Faber, London, Crove Press, New York.
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Beckett Samuel (1994), The Theatrical Notebooks of Samuel Beckett, vol. I: Waiting for Godot, ed. James Knowlson, Faber & Faber, London, Grove Press, New York.
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Beckett Samuel (1999a), The Old Tune. Beckett Short No. 7, Riverrun Press, London.
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Beckett Samuel (1999b), The Theatrical Notebooks of Samuel Beckett, vol. IV: The Shorter Plays, ed. S.E. Gontarski, Faber & Faber, London, Grove Press, New York.
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Beckett Samuel (2009), The Letters of Samuel Beckett, vol. I: 1929–1940, eds Martha Dow Fehsenfeld, Lois Overbeck, Cambridge University Press, Cambridge.
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Beckett Samuel (2011), The Letters of Samuel Beckett, vol. II: 1941–1956, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.
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Beckett Samuel (2014), The Letters of Samuel Beckett, vol. III: 1957–1965, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.
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Beckett Samuel (2016), The Letters of Samuel Beckett, vol. IV: 1966–1989, eds George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois Overbeck, Cambridge University Press, Cambridge.
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Beja Morris, Gontarski S.E., Astier Pierre, eds (1983), Samuel Beckett: Humanistic Perspectives, Ohio State University Press, Columbus.
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Billington Michael (2006), “Krapp’s Last Tape”, “The Guardian”, 16 October, https://www.theguardian.com/stage/2006/oct/16/theatre.beckettat100 (dostęp: 18.03.2024).
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Blanchot Maurice (1953), Où maintenant? Qui maintenant?, “Nouvelle Revue Française”, October, s. 678–686.
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Brantley Ben (2007), When a Universe Reels, a Baryshnikov May Fall, “New York Times”, 19 December, https://www.nytimes.com/2007/12/19/theater/reviews/19beck.html (dostęp: 18.03.2024).
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Brater Enoch (1974), The “I” in Beckett’s “Not I”, “Twentieth Century Literature”, vol. XX, no. 3.
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Brater Enoch (1987), Beyond Minimalism: Beckett’s Late Style in the Theater, Oxford University Press, New York.
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Breuer Rolf, Huber Werner, eds (1996), A Checklist of Beckett Criticism in German, Ferdinand Schöning, Paderborn.
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Bryden Mary, Garforth Julian, Mills Peter (1998), Beckett at Reading: Catalogue of the Beckett Manuscript Collection at the University of Reading, Whiteknights Press, Reading, UK.
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Bryer J.R., Friedman M.J. (1971), Essai de bibliographie des études en langues française et anglaise consacrées à Samuel Beckett (1931–1966), „Calepins de bibliographie”, nr 2.
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Calder John, ed. (1967), Beckett at 60: A Festscrift, Calder & Boyars, London.
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Calder John (1976), Editorial and Theater Diary, “Gambit: International Theater Review”, vol. VII.
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Calder John, ed. (1986), „As No Other Dare Fail”: For Samuel Beckett on His 80th Birthday by His Friends and Admirers, Calder & Riverrun Press, London.
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Coe Richard (1964), Beckett, Oliver & Boyd, Edinburgh.
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Cohn Ruby (1962), Samuel Beckett: The Comic Gamut, Rutgers University Press, New Brunswick.
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Cohn Ruby, ed. (1967), Casebook on ‘Waiting for Godot’, Grove Press, New York.
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Cohn Ruby (1973), Back to Beckett, Princeton University Press, Princeton.
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Cohn Ruby (1980), Just Play: Beckett’s Theater, Princeton University Press, Princeton.
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Cohn Ruby (2001), A Beckett Canon, University of Michigan Press, Ann Arbor.
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Davis R.J (1971), Essai de bibliographie des Oeuvres de Samuel Beckett (1929–1966), „Calepins de bibliographie”, nr 2.
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Davis R.J. (1977), Beckett Bibliography after Federman and Fletcher, “Journal of Beckett Studies”, no. 2 (Summer), s. 63–69.
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Davis R.J. (1979), Samuel Beckett: Checklist and Index of his Published Works 1967–1976, Published from the Library, University of Stirling.
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Deleuze Gilles (1998), Essays Critical and Clinical, trans. D.W. Smith, M.A. Greco, Verso, London–New York.
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Driver Tom (1961), Beckett by the Madeleine, „Columbia University Forum”, IV (Summer), s. 21–25.
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Duckworth Colin (1966), Introduction, [w:] Samuel Beckett, En attendant Godot, George Harrap, London, s. XVII–CXXXV.
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Esslin Martin (1961), The Theatre of the Absurd, Anchor Books, Doubleday and Company, Inc., Garden City, New York.
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Federman Raymond, Fletcher John (1970), Samuel Beckett: His Works and His Critics. An Essay in Bibliography, University of California Press, Berkeley–Los Angeles.
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Fletcher Beryl S., Fletcher John (1973), A Student’s Guide to the Plays of Samuel Beckett, Faber & Faber, London.
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Frost Everett (1991), Fundamental Sounds: Recording Samuel Beckett’s Radio Plays, „Theatre Journal” vol. 43, no. 3, s. 361–376.
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Gascoigne Bamber (1964), How Far Can Beckett Go?, “The Observer”, 12 April.
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Goldstein Ruth M., ed. (1977), A Discussion Guide for the Play ‘Waiting for Godot’, Grove Press, New York.
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Gontarski S.E. (1977), Beckett’s „Happy Days”: A Manuscript Study, Ohio State University Library Publications, Columbus.
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Gontarski S.E. (1983), „Ohio Impromptu”: gra przeciw tekstowi, przeł. Elżbieta Jasińska, „Dialog”, nr 3, s. 98–101.
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Gontarski S.E. (1985), The Intent of Undoing in Samuel Beckett’s Dramatic Texts, Indiana University Press, Bloomington.
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Gontarski S.E., ed. (1986), On Beckett: Essays and Criticism, with an Introduction by S.E. Gontarski, Grove Press, New York.
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Gontarski S.E. (1987), “What Where II”: Revision as Re-creation, “Review of Contemporary Fiction”, vol. 7, no. 2, s. 120–123.
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Gontarski S.E. (1992), Working Through Beckett, [w:] Steve Wilmer, ed., Beckett in Dublin, Lilliput Press, Dublin, s. 33–52.
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Gontarski S.E., ed. (1993), The Beckett Studies Reader, University Press of Florida, Gainesville.
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Gontarski S.E. (1997), Staging Himself, or Beckett’s Late Style in the Theater, “Samuel Beckett Today / Aujourd’hui”, vol. 6: Crossroads and Borderlines, L’Oeuvre Carrefour / L’Oeuvre Limite, s. 87–97.
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Gontarski S.E., ed. (2014), On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company.
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Gontarski S.E. (2015), Samuel Beckett and the ‘Idea’ of Theatre: Performance through Artaud and Deleuze, [w:] Dirk Van Hulle, ed., The New Cambridge Companion to Samuel Beckett, Cambridge University Press, Cambridge, s. 126–142.
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Gontarski S.E. (2018), Revisioning Beckett: Samuel Beckett’s Decadent Turn, Bloomsbury Academic, New York.
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Gontarski S.E. (2023), Bad Godots: „Vladimir emerges from the barrel” and Other Interventions, Cambridge University Press, Cambridge.
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Gontarski Beckett Library – Stanley E. Gontarski Beckett Library, Trinity College, Dublin, https://www.tcd.ie/library/manuscripts/blog/tag/stanley-e-gontarski-beckett-library/
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Gussow Mel (1994), Reading Upsets Beckett Estate, “New York Times”, 24 September, s. 11, https://www.nytimes.com/1994/09/24/theater/a-reading-upsets-beckett-s-estate.html
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Harmon Maurice, ed. (1998), No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider, Harvard University Press, Cambridge, Mass.
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Hassan Ihab (1967), The Literature of Silence: Henry Miller and Samuel Beckett, Knopf, New York.
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Hobson Harold (1967), The First Night of ‘Waiting for Godot’, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London, s. 25–28.
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Hoy P.C. (1971), Une esquisse de bibliographie des études en d’autres langues (1953–1969), „Calepins de bibliographie”, nr 2.
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Juliet Charles (1995), Conversations with Samuel Beckett and Bram van Velde, transl. Janey Tucker, Academic Press, Leiden.
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Kenner Hugh (1961), Samuel Beckett: A Critical Study, Grove Press, New York.
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Kenner Hugh (1973), A Reader’s Guide to Samuel Beckett, Syracuse University Press.
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Kern Edith (1954), Drama Stripped for Inaction: Beckett’s “Godot”, “Yale French Studies”, no. 14, s. 41–47, https://www.jstor.org/stable/2928960 (dostęp: 29.02.2024).
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Knowlson James (1996), Damned to Fame: The Life of Samuel Beckett, Simon & Schuster, New York.
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Krance Charles (1989), Sam w Polsce / Sam in Poland, “Journal of Beckett Studies”, no. 11–12, s. 131–152.
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Krance Charles, ed. (1993), Samuel Beckett’s “Company/Compagnie” and “A Piece of Monologue/Solo”: A Bilingual Variorum Edition, Routledge, London.
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Krance Charles, ed. (1996), Samuel Beckett’s “Mal vu mal dit / Ill Seen Ill Said”: A Bilingual, Evolutionary, and Synoptic Variorum Edition, Garland, New York–London.
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Lake Carlton, ed. (1984), No Symbols Where None Intended: A Catalogue of Books, Manuscripts, and Other Materials Relating to Samuel Beckett in the Collections of the Humanities Research Center, Harry Ransom Humanities Research Center (University of Texas), Austin.
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Lawley Paul (1983), Counterpoint, Absence and the Medium in Beckett’s “Not I”, “Modern Drama”, vol. 26, no. 4, s. 407–414, https://muse.jhu.edu/article/498234/pdf
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Locatelli Carla (1993), An Outline of Beckett Criticism in Italy, “Journal od Beckett Studies”, vol. 3, no. 1 (Autumn), s. 39–57.
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Lonsdale Michaël (2014), Michaël Lonsdale joue les mots derrière les mots, “La République des livres”, 24 Décembre, https://larepubliquedeslivres.com/entretien-lonsdale/
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McMillan Dougald, Fehsenfeld Martha, eds (1988), Beckett in the Theater: The Author as Practical Playwright and Director, Riverrun Press, New York.
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Mégevand Martin (2010), Pinget Seen by Beckett, Beckett According to Pinget: The Unpublishable, “Journal of Beckett Studies”, vol. 19, no. 1, s. 3–14, http://www.jstor.org/stable/26469652 (dostęp: 28.02.2024).
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Mercier Vivian (1956), The Uneventful Event, „The Irish Times”, 18 February, s. 6.
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Mitchell Breon (1982), “Samuel Beckett: checklist and index of his published works 1967-1976” by Robin J. Davis, “Journal of Beckett Studies”, no. 8 (Autumn), s. 152–154.
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Murphy P.J., Huber Werner, Breuer Rolf, Schoell Konrad (1994), Critique of Beckett Criticism. A Guide to Research in English, French, and German, Camden House, Columbia.
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Nixon Mark (2011), Samuel Beckett’s German Diaries 1936–1937, Bloomsbury Publishing, London.
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O’Brien Eoin (1986), The Beckett Country: Samuel Beckett’s Ireland, Black Cat Press, Dublin.
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O’Brien Eoin (1993), [list do redakcji], „Times Literary Supplement”, 16 July, s. 17.
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Pilling John (1999), Beckett and the ‘Itch to Make’: The Early Poems in English, “Samuel Beckett Today / Aujourd’hui”, no. 8, s. 15–25.
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Rabaté Jean-Michel (2016), Excuse My French: Samuel Beckett’s Style of No Style, „CR: The New Centennial Review”, vol. 16, no. 3, s. 133–150, https://doi.org/10.14321/crnewcentrevi.16.3.0133
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Rabinovitz Rubin (2014), „Murphy” and the Uses of Repetition, [w:] S.E. Gontarski, ed., On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company, s. 53–72.
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Rosset Archive, Columbia University, https://findingaids.library.columbia.edu/ead/nnc-rb/ldpd_7953908/dsc/6
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Rosset Barney (2017), Dear Mr. Beckett: The Samuel Beckett File, ed. Lois Oppenheim, curated by Astrid Myers, Opus, Tuxedo Park, NY .
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Schneider Alan (1986), Entrances. An American Director’s Journey, Viking Press, New York.
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Seaver Richard W. (2014), Beckett and “Merlin”, [w:] S.E. Gontarski, ed., On Beckett. Essays and Criticism, revised edition, Wimbledon Publishing Company.
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Shenker Israel (1956), Moody Man of Letters, “New York Times”, 5 May, [w:] Lawrence Graver, Raymond Federman, eds, Samuel Beckett. The Critical Heritage, Routledge and Kegan Paul, London 1979, s. 146–149.
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Tanner James T.F., Don Vann Jerry (1969), Samuel Beckett. A Checklist of Criticism, Kent State University Press, Kent.
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Van Hulle Dirk, ed. (2015), The New Cambridge Companion to Samuel Beckett, Cambridge University Press, Cambridge.
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Van Hulle Dirk (2017), Samuel Beckett, Molloy, Malone Dies and The Unnamable (1951–1958), [w:] Christoph Reinfandt, ed., Handbook of the English Novel of the Twentieth and Twenty-First Centuries, De Gruyter, Berlin–Boston, s. 252–267, https://doi.org/10.1515/9783110369489-013
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Van Hulle Dirk, Verhulst Pim (2018), The Making of Samuel Beckett’s “Waiting for Godot” / “En attendant Godot”, Bloomsbury Academic.
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Whitelaw Billie (1978), Practical Aspects of Theatre, Radio and Television. Extracts from an unscripted interview with Billie Whitelaw by James Knowlson, “Journal of Beckett Studies”, no. 3, s. 85–90, http://www.jstor.org/stable/44783121 (dostęp: 27.02.2024).
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Worth Katharine (1998), Words for Music Perhaps, [w:] Mary Bryden, ed., Samuel Beckett and Music, Clarendon Press, Oxford, s. 9–20.
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Zilliacus Claus (1976), Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television, Åbo Akadami, Åbo.
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Zilliacus Claus (1993), “Act Without Words 1” as Cartoon and Codicil, “Samuel Beckett Today / Aujourd’hui”, vol. 2, s. 295–304, http://www.jstor.org/stable/25781178 (dostęp: 25.01.2024).
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Ackerley C.J., Demented Particulars. The Annotated “Murphy”, Journal of Beckett Studies Books, Tallahassee 1998.
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Ackerley C.J., Gontarski S.E., eds, The Grove Companion to Samuel Beckett: A Reader’s Guide to His Life, Works and Thought, Grove Press, New York 2004.
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Ackerley C.J., Gontarski S.E., Samuel Beckett and the Bible: A Guide, “Journal of Beckett Studies” 1999, vol. 9, no. 1 (Autumn), s. 53–125.
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Adorno Theodor, Trying to Understand „Endgame”, trans. Samuel Weber, [w:] Gale Bell-Chevigny, ed., Twentieth Century Interpretations of Endgame, Prentice Hall, Englewood Cliffs 1969, s. 82–114.
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Atik Anne, How It Was: A Memoir of Samuel Beckett, Faber & Faber, London 2001.
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Barale Michèle Aina, Rabinovitz Rubin, A KWIC Concordance to Samuel Beckett’s Murphy, 2 vols, Garland, New York–London 1990.
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Barale Michèle Aina, Rabinovitz Rubin, A KWIC Concordance to Samuel Beckett’s Trilogy: Molloy, Malone Dies, and The Unnamable, 2 vols, Garland, New York–London 1988.
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Ben-Zvi Linda, Fritz Mauthner for Company, “Journal of Beckett Studies” 1984, no. 9, s. 65–88.
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Ben-Zvi Linda, Samuel Beckett, Twayne, Boston 1986.
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Ben-Zvi Linda, Samuel Beckett, Fritz Mauthner, and the Limits of Language, “PMLA” 1980, vol. 95, no. 2 (March), s. 183–200.
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Blanchot Maurice, Review of “The Unnamable” [1953], [w:] Lawrence Graver, Raymond Federman, Samuel Beckett: The Critical Heritage, Routledge & Kegan Paul, London 1979, s. 116–121.
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Bowles Patrick, How Samuel Beckett Sees the Universe, “The Listener” 1958, no. 59 (19 June), s. 1011–1012.
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Bowles Patrick, How to Fail: Notes on Talks with Samuel Beckett, “Poetry Nation Review” 1994, vol. XX, no. 4 (March–April), s. 24–38.
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Bryden Mary, Beckett and the Idea of God, Macmillan, Basingstoke 1998.
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Bryden Mary, ed., Samuel Beckett and Music, Clarendon Press, Oxford 1998.
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Bryden Mary, Women in Samuel Beckett’s Prose and Drama: Her Own Other, Macmillan, Basingstoke–London 1993.
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Butler Lance St John, Samuel Beckett and the Meaning of Being: A Study in Ontological Parable, St. Martin’s Press, New York 1984.
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Butler Lance St John, Davis Robin, eds, Rethinking Beckett: A Collection of Critical Essays, Macmillan, Basingstoke 1990.
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Calder John, ed., A Samuel Beckett Reader, Calder & Boyars, London 1967.
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Caselli Daniela, Beckett’s Intertextual Modalities: The Case of Leopardi, “Journal of Beckett Studies” 1996, vol.6, no. 1 (Autumn), s. 1–24.
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Caselli Daniela, Looking it up in My Big Dante: A Note on ‘Sedendo et Quiesc[i]endo’, “Journal of Beckett Studies” 1997, vol. 6, no. 2 (Spring), s. 85–93.
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Coe Richard N., Beckett’s English, [w:] Morris Beja, S.E. Gontarski, Pierre Astier, eds, Samuel Beckett: Humanistic Perspectives, Ohio State University Press, Colombus 1983, s. 36–57.
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Coe Richard N., Samuel Beckett, Grove Press, New York 1967.
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Cohn Ruby, Mabou Mines Translations of Beckett, [w:] Alan Warren Friedman, Charles Rossman, Dina Sherzer, eds, Beckett Translating / Translating Beckett, Pennsylvania State University Press, University Park 1987.
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Cohn Ruby, Philosophical Fragments in Works of Samuel Beckett, “Criticism” 1964, vol. 6, no. 1 (Winter), s. 33–43; przedruk w: Martin Esslin, ed., Samuel Beckett: A Collection of Critical Essays, Prentice Hall, Englewood Cliffs 1965, s. 169–177.
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Cohn Ruby, Samuel Beckett Self-translator, “PMLA” 1961, vol. LXXVI (December), s. 613–621.
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Cohn Ruby, The ‘F------’ Story, “Samuel Beckett Today / Aujourd’hui” 1988, vol. 7, s. 41–45.
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Connor Steven, Samuel Beckett: Repetition, Theory, and Text, Basil Blackwell, Oxford 1988.
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Dobbin Rachel [Burrows], Interview with Rachel Burrows, Dublin, Bloomsday, 1982, interviewers: S.E. Gontarski, Martha Fehsenfeld, Dougald McMillan, “Journal of Beckett Studies” 1989, vol. 11–12, s. 6–15.
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Doherty Francis, Mahaffy’s Whoroscope, “Journal of Beckett Studies” 1992, vol. 2, no. 1 (Autumn), s. 27–46.
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Esslin Martin, Dionysos’ Dianoetic Laughter, [w:] John Calder, ed., “As No Other Dare Fail”: For Samuel Beckett on His 80th Birthday by His Friends and Admirers, John Calder & Riverrun Press, London 1986, s. 15–23.
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Esslin Martin, Samuel Beckett, [w:] John Cruikshank, ed., The Novelist as Philosopher: Studies in French Fiction 1935–1960, Oxford University Press, London 1962, s. 128–146.
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Esslin Martin, Samuel Beckett’s Poems, [w:] John Calder, ed., Beckett at 60: A Festscrift, Calder & Boyars, London 1967, s. 55–60.
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Federman Raymond, Journey to Chaos: Samuel Beckett’s Early Fiction, University of California Press, Berkeley–Los Angeles 1965.
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Fletcher John, Modernism and Samuel Beckett, [w:] Janet Gorton, ed., Facets of European Modernism: Essays in Honor of James McFarlane (presented to him on his 65th birthday, 12 December 1985), University of East Anglia, Norwich 1985, s. 199–217.
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Fletcher John, The Novels of Samuel Beckett, Chatto & Windus, London 1964.
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Gontarski S.E., The Anatomy of Beckett’s “Eh Joe”, “Modern Drama” 1983, vol. 26, no. 4, s. 425–434, https://muse.jhu.edu/article/498236/pdf
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Gontarski S.E., ed., The Beckett Critical Reader: Archives, Theories, and Translation, with an Introduction by S.E. Gontarski, Edinburgh University Press, Edinburgh 2012.
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Gontarski S.E., Beckett Matters: Essays on Samuel Beckett’s Late Modernism, Edinburgh University Press, Edinburgh 2016.
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Gontarski S.E., A Companion to Samuel Beckett, with an Introduction by S.E. Gontarski, Wiley-Blackwell, Oxford 2010.
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Gontarski S.E., ed., The Edinburgh Companion to Samuel Beckett and the Arts, with an Introduction by S.E. Gontarski, Edinburgh University Press, Edinburgh 2014.
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Gontarski S.E., Editing Beckett, “Twentieth Century Literature” 1995, vol. 41, no. 2 (Summer), s. 190–207.
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Gontarski S.E., Revising Himself: Performance as Text in Samuel Beckett’s The­ater, “Journal of Modern Literature” 1998, vol. 22, no. 1 (Fall), s. 131–145.
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Hobson Harold, Samuel Beckett, Dramatist of the Year, [w:] International Theatre Annual. No. 1, Citadel Press, New York 1956, s. 153–155.
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